Stacy Kelley    |    The new history of art & design


Kwangho Lee at Current

Above: knitted lighting pieces by Kwangho Lee (past works)

We at Set & Drift will be showing the work of Kwangho Lee at Current at The Bakery (San Diego) September 1-5th. Just in from Seoul, Lee’s Black Whale is a 7 foot long sculptural lighting piece, knitted with power cords as his unconventional medium. We can’t wait to unveil it, and hope you’ll toast with us at one of our opening events — the evening of September 1 or 4th! See RSVP and event details here.

Kwangho draws inspiration from materials and memories from a childhood spent on his grandparents’ farm in rural Korea. In his work, he seeks to transform the ordinary into something beautiful. His knitted lighting installations are just that — enchanting and eerie at the same time. His studio in Seoul is littered with piles of rubber cords and tables he’s invented to knit on a massive scale. It’s our honor to bring Kwangho’s work to San Diego for this exhibition — which happens to occur simultaneously with his exhibition at Hunting and Collecting in Brussels; they’ve posted this fantastic micro-documentary about his creative process.

We hope you’ll come visit us at Current to celebrate this talented young artist’s West Coast debut!

Photography in miniature

In “Winter Stories”, Paolo Ventura creates an imaginative series of photographs depicting nostalgic scenes that arise from the mind of an old circus performer as he looks back on his life. Rather than dramatic events, the invented character recalls images of an everyday life, though they feature the bizarre and fantastical: tightrope walkers, sword swallowers, stilt walkers, and fire eaters. Using his own childhood memories of Italy, miniature figures, and sets of flea market props photographed to appear life-size, Paolo built a haunting, deceptive, and beautiful world with his own hands.

Limited to just 2000 copies, the book is now available at Amazon.

Unexpected architecture

“Architecture is the will of an epoch translated into space.” – Mies van der Rohe

Born out of our increasing reliance on cars, the design of parking garages dominates the last century. Simon Henley’s book “The Architecture of Parking” argues there’s something unexpected to be found within these overlooked structures, cataloging the most striking and iconic examples via 568 images.

It’s an interesting look, especially considering that the story of these structures is just beginning. As transportation evolves, a new life will inevitably need to be re-imagined for these massive buildings, leaving us with quite a bizarre opportunity on our hands.

More images at Cool Hunting

On building a new model

“You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.”

-R. Buckminster Fuller

Why we love pranks.

The Washington Post review calls British graffiti artist Banksy’s latest film, Exit Through the Gift Shop, “a celebration of pranksterism and perhaps a superb prank in its own right.” Indeed, Banksy initiates an unexpected and entertaining dialogue through the supposed “documentary”. It’s a twisted art project in itself.

Why do we love pranks? They remind us that we all have the power to challenge the norm — to create our own opportunities and to participate in slightly altered realities.

Creative “pranks” arrive unexpectedly; they’re manifestations of those who’ve strayed and created their own path, and they enrapture. Many will follow them and in the end, some will end up leading. The potential is a world that’s left a little more complex and a little more beautiful.

Exit Through the Gift Shop trailer

photo credit

Scientists find: “Cities act just like creatures…”

via The Living City, by Jonah Lehrer (full article at SEED Magazine)

A group of scientists and economists got together for an unexpected experiment: to study how cities might work like organisms. Indeed, through all their math and measurements, they found cities act just like creatures.

Cities apparently act decidedly like elephants, because “they get more economical with size.” (They explain that a large animal, like an elephant, consumes much less energy per pound than an animal with smaller mass, like a mouse.) And indeed, a city can double its population without needing to double its consumption of resources (like electricity, for instance). Basically “you need a little bit less of everything per person.”

What this means, according to these physicists, is that what we’ve been traditionally believing is completely backwards. Cities (dirt, pigeons and all) actually hold the key to a more sustainable society. What we need is bigger cities.

And this leads to bursts of creativity and productivity… As cities get bigger, they’ve found that each individual actually gets more productive. Twice the population led to more than twice the creative and economic output. (“A bigger population” they say, “means more economic activity for each person, which encourages more people to move to the city, which results in more economic activity, and so on.”)

Then comes a bit of a hitch…in the words of Bob Dylan: “He not busy being born is busy dying.” At some point, all this continuous growth hits a limit, where the city runs out of resources. The solution to avoid running out of resources? Change something, innovate. And as it turns out, the bigger a city gets, the quicker it has to innovate in order to continue its patterns of growth.  In other words, “a city that isn’t innovating is on the verge of collapse.” So, they remind that cities must always support the institutions that end up cultivating innovation.

In a nice twist of fate, big, crowded cities make that innovation possible. They explain that because of their density, “cities concentrate our social interactions.” (In fact, only ants live closer together.) The article brings up Jane Jacobs, who documented in The Death and Life of Great American Cities that “every healthy city was defined by its ability to facilitate social interaction.” She sees the potential in things like short city blocks and mixed-use neighborhoods to encourage “the intricate mingling of diversity.” When strangers were forced to communicate, Jacobs wrote, the city developed the “innate ability… to invent what is required to combat its difficulties.”

The scientists give us a glimpse of what a sustainable future might look like. Today’s opportunity lies in creating and designing for this human interaction — determining ways to cultivate innovation and live our way into this vision.

photo credit: tread

The Farm Proper

The Farm Proper is a mobile, urban farm under development in the lot behind The Bakery, in the Barrio Logan neighborhood of San Diego. We at Set & Drift developed The Farm Proper as an experiment in the urban landscape — where design meets the food system. It was created by a collaborative of artists, designers, and backyard growers as an installation to inspire pocket farms and creative takeover of unused urban spaces. We gathered abandoned shopping carts, burlap coffee sacks, and a generous donation of composted soil from Suzie’s Farm and started planting.

The Farm Proper featured on designboom (Milan, Italy): here !

Some of our inspirations:

  • ForageSF‘s Underground Farmers’ Market and Wild Food Walks in San Francisco
  • An unexpected takeover: freeway-turned-farm in SF
  • Fallen Fruit: an LA based artist collective that focuses on food related/foraging projects like this one in Tijuana
  • Fire escape gardens in NYC and SYNTHE, a food producing green roof in LA
  • The ‘high rise urban farms’ and ‘vertical farming’ concepts floating about in the architecture world

The project considers the idea of designers as the new farmers. Perhaps now’s the time for designers to claim a stake in imagining engaging ways to recreate our food system. We’re putting this experiment out there as a prototype, for “there is no such thing as a failed experiment, only experiments with unexpected outcomes.” -R. Buckminster Fuller

Join us at The Farm Proper for this season’s seminars and cookouts!

Trends for the decade

Some food for thought via WorldChangingsome of the “Sustainability Trends of the Next Decade”:

Welcome: BIKE CULTURE! How: bike lane expansion, bike-friendly city thoroughfares, bikesharing, indoor bicycle parking, access on public transportation. In this scenario, bike-friendly accommodations, fashion, etc. is sure to be in demand.

END OF CHEAP OIL: The overbuilt market for large, totally car-dependent single family homes in outer suburbia is expected by even some developers to not be viable for almost a decade, even if oil prices and supply stay relatively stable. This will create an opportunity for urban centers to accommodate some of the traditional concepts of suburbia: a sense of community, green spaces, family-friendly activity.

FOCUS ON URBAN AGRICULTURE: Luckily we’re already seeing increased interest in rooftop gardens, community gardens, hydroponics, farmers’ markets, locally sourced restaurant offerings. How can these plans evolve further?

SUSTAINABILITY IN MUSIC/ART/LITERATURE: The author of the article argues “no novel, song, painting or movie has come close to depicting a fictional world of what holistic sustainability solutions might look like, even feel like…Odds are that breakthrough art successfully depicting sustainability will feature urban life in some fashion.” I’d argue that this might not be so much about that *one* song or piece of art but rather how that art is presented. A revitalized art experience serves as a catalyst for bringing strangers together and idea exchange, both of which are essential for social innovation. My perception: the future of art is an experience that is interactive, accessible, and involves multiple disciplines. Galleries, museums, and nonprofits will increasingly begin to see the benefit and necessity of this nontraditional approach as these experiences manifest and become increasingly in demand.

Article excerpts in italics. Read the whole list of trends here.

photo credit: Daniel Y. Go

The Haiti Poster Project

The Haiti Poster Project has just been launched: It’s a collaboration of artists and designers from around the world, benefiting victims of the earthquake in Haiti. Moxie Sozo, the organizer of the 2005 Hurricane Relief Poster Project, is teaming up with Josh Higgins, the organizer of the 2007 So-Cal Fire Poster Project to produce the 2010 Haiti Poster Project. We’ve collaborated with San Diego based graphic designer Josh Higgins through Set & Drift and we’re looking forward to spreading the word about this project and watching it unfold. The deadline for submissions is March 15:

All designers and artists, please step up! THE HAITI POSTER PROJECT seeks limited edition sets of posters from artists, designers and design firms from around the world. The donated posters will be sold online to raise money for Doctors Without Borders. As designers, we have the collective ability to do what we love, AND to create a difference. THE HAITI POSTER PROJECT has been conceived as a collective effort by the design community to unite and effect change through our work. In order for this project to be successful, we are counting on designer participation. Our goal is to raise at least $1,000,000 for Doctors Without Borders. Please help spread the word.

Design thinking & participatory systems

Thanks to Miriello Grafico for the recommendation: Tim Brown of innovation and design firm IDEO discusses “design thinking” at TED. He reminds that the potential of design is enormous. We need a different view of design, he says: less focus on creating small consumer objects and more on cultivating comprehensive “design thinking” to tackle the important issues of today. His call to action is a shift to the design of “participatory systems”, collaborative creative efforts that will shape solutions to the big issues.

The shift is from consumption to participation; we as consumers are already finding new ways to make our voices heard. Design, after all, is first and foremost “human-centric”, so designers need to start by understanding and directly engaging with their audience — our culture. The message: “Design is too important to be left to designers.” And I think that’s meant in the best possible way.